{"id":43182,"date":"2025-10-12T19:42:31","date_gmt":"2025-10-12T08:42:31","guid":{"rendered":"https:\/\/maytherockbewithyou.com\/mtrbwy\/?p=43182"},"modified":"2025-10-13T08:19:34","modified_gmt":"2025-10-12T21:19:34","slug":"the-legends-were-true-the-good-things-festival-sideshows-are-here","status":"publish","type":"post","link":"https:\/\/maytherockbewithyou.com\/mtrbwy\/2025\/10\/the-legends-were-true-the-good-things-festival-sideshows-are-here\/","title":{"rendered":"The Legends Were True!…The Good Things Festival Sideshows Are Here!"},"content":{"rendered":"

\"\"<\/a>Beyond mere tales of fable and fantasy, Australia’s largest travelling music celebration,\u00a0Good Things Festival\u00a0<\/strong>is\u00a0<\/strong>fast upon us with it’s\u00a0alternative myth-making line-up. We’re not kiddin’ when we’re saying tickets are selling fast with Melbourne at 84% sold, Sydney at 82% and Brisbane at 89%.<\/p>\n

As Good Things come to those who wait, we’re\u00a0thrilled to announce the headline\u00a0sideshows\u00a0from some of the artists on the huge\u00a0Good Things Festival<\/strong>\u00a0line up.<\/p>\n

For the first time, we’re offering exclusive access to presale tickets for the sideshows to those who already have festival tickets. Customers who already have a ticket to the festival will receive first access with a pre sale on Tuesday 14 October. Customers can sign up via the\u00a0Good Things Festival<\/strong>\u00a0website for access to the 2nd pre sale ahead of the normal general on sale dates.<\/p>\n

Get in quick, tickets won’t last long! You won’t get the opportunity to witness shows in these intimate capacities again.<\/p>\n

Good Things 2025 Ticket Holder Presale: Tuesday 14 October @ 9am local time<\/strong><\/p>\n

Good Things \/\/ Destroy All Lines \/\/ Venue \/\/ Ticketing Presale:<\/strong>\u00a0Wednesday 15 October @ 9am local time<\/strong>
\nhttps:\/\/www.goodthingsfestival.com.au\/sideshows<\/a><\/p>\n

General tickets are on sale: Friday 17 October @ 9am local time
\nwww.goodthingsfestival.com\u00a0<\/span><\/strong><\/p>\n

Without further adieu, we present to you the\u00a0Good Things Festival 2025<\/strong>\u00a0sideshows…<\/span><\/p>\n

ALL TIME LOW<\/strong><\/p>\n

TUESDAY 9 DECEMBER – THE TIVOLI, BRISBANE
\nTHURSDAY 11 DECEMBER – HINDLEY ST MUSIC HALL, ADELAIDE<\/strong><\/span><\/p>\n

Pop-punkers\u00a0ALL TIME LOW\u00a0<\/strong>will be pulling from their multi-platinum catalogue and unfurling hits for their ever-devoted fanbase. From Warped Tour anthems like\u00a0Dear Maria, Count Me In\u00a0<\/em>and their smash cover of Rihanna’s\u00a0Umbrella<\/em>,\u00a0to recent commercial highs like 2020’s\u00a0Monsters<\/em>\u00a0(featuring Demi Lovato and blackbear), the Maryland chart-toppers have one hell of a catchy arsenal at their disposal.<\/div>\n
\n

Known for their anthemic, inimitable sound and fiercely loyal fanbase. Their tenth full-length studio release,\u00a0Everyone’s Talking!\u00a0<\/em>is\u00a0due on October 17 which includes singles\u00a0SUCKERPUNCH, The Weather<\/em>\u00a0and\u00a0Butterflies<\/em>.\u00a0The rock outfit have sold more than\u00a03.5 million albums in the U.S. alone\u00a0and have garnered over\u00a05 billion streams worldwide to date.<\/p>\n

Since their inception in 2003,\u00a0ALL TIME LOW<\/strong>\u00a0have shattered records, topped charts, sold out arenas and carved out a fervent fanbase along the way. Their catalog consists of\u00a0countless Billboard charts to picking up multi-platinum, platinum, and gold certifications. Speaking to their impact,\u00a0Rolling Stone\u00a0named\u00a0So Wrong, It’s Right<\/em>,\u00a0among its “50 Greatest Pop Punk Albums.”<\/p>\n

The band also captivated audiences with explosive sets at Bonnaroo and Firefly, along with unforgettable appearances on The Late Late Show with James Corden, Jimmy Kimmel Live!, Ellen, Good Morning America, and more. No strangers to our shores, these shows are ones to not miss.<\/p>\n<\/div>\n

<\/div>\n
BAD NERVES + DEAD POET SOCIETY<\/strong>
\nCO-HEADLINE<\/strong>TUESDAY 2 DECEMBER – CROWBAR, SYDNEY
\nWEDNESDAY 3 DECEMBER – MAX WATTS, MELBOURNE
\nMONDAY 8 DECEMBER – THE TRIFFID, BRISBANE<\/strong><\/span><\/p>\n
Powerpop rock n roll\u00a0band<\/em>\u00a0from Essex\u00a0BAD NERVES<\/strong>\u00a0and Los Angeles rock band\u00a0DEAD POETS SOCIETY<\/strong>\u00a0are set to tour Australia for the first time.<\/div>\n
\n

The bastard child of a Ramones\/Strokes one night stand,\u00a0BAD NERVES<\/strong>\u00a0play ferociously fast distorted pop songs. Their self-made debut put them in the hearts and minds of the cream of the alternative crop; from UK tastemakers such as Dan P Carter to Alyx Holcombe, to rock legends such as Green Day’s Billie Joe Armstrong and Pearl Jam’s Stone Gossard. Drawing comparisons to Supergrass, the Ramones and Jay Reatard, they proactively seek to make the type of in-your-face, opposite-of-sterile, rock music that the genre was built on. Their second album,\u00a0Still Nervous<\/em>, was released in May this year.<\/p>\n

Los Angeles quartet\u00a0Dead Poet Society\u00a0<\/strong>were\u00a0tipped by\u00a0The New York Post’s Page Six\u00a0as a band to know released their second albumFISSION.\u00a0<\/em>The American rock band formed while attending Berklee School of Music in\u00a0Boston, Massachusetts\u00a0in 2013.\u00a0Starting as an indie group, self-producing and self-recording their songs, including two acclaimed EPs. In 2016\u00a0their music was discovered by the influential Mexican YouTube Channel Pepe Problemas.\u00a0Their US break came in 2018, when Spotify editorial staff added the single “American Blood” to their playlists, after the band had built a strong organic following on social media and the streaming platforms before resulting in interest from several labels including Spinefarm, where they later signed and released their debut album\u00a0-!-\u00a0<\/em>in 2021.\u00a0The band has gone on to become headliners in their own right, selling out 1000 + venues and playing the main stages of the biggest festivals around the world and just completed an extensive North American tour supporting Chevelle and Asking Alexandria.<\/p>\n<\/div>\n<\/div>\n

<\/div>\n
\n

COBRA STARSHIP<\/strong><\/p>\n

TUESDAY 2 DECEMBER – NORTHCOTE THEATRE, MELBOURNE
\nWEDNESDAY 3 DECEMBER – LIBERTY HALL, SYDNEY<\/strong><\/span><\/p>\n

\n

COBRA STARSHIP<\/strong>\u00a0burst through the zeitgeist with\u00a0Bring It (Snakes on a Plane)<\/em>,\u00a0the cheeky anthem to the 2006 horror\/actioner Snakes on a Plane and the lead single from the band’s\u00a0debut,\u00a0While the City Sleeps, We Rule the Streets<\/em>. With 2007’s\u00a0-produced\u00a0\u00a1Viva La Cobra!<\/em>, they further solidified their pop-savvy credentials and chart success followed. Buoyed by the Top 40 hit and\u00a0clubby single\u00a0Good Girls Gone Bad<\/em>\u00a0with Gossip Girl star, 2009’s\u00a0Hot Mess,<\/em>\u00a0making it’s way on the album charts.<\/p>\n

They kept the party going in 2011 with the release of their fourth full-length,\u00a0Night Shades with the album\u00a0<\/em>featuring top 10 hit\u00a0You Make Me Feel.<\/em>.. feat. Sabi which soared onto the Billboard chart with\u00a0hundreds of million streams before disbanding.<\/p>\n

The New York City rockersbroke up in 2015 and returned\u00a0in\u00a02021 with unreleased tracks.\u00a0COBRA STARSHIP<\/strong>\u00a0will bring back the hallowed glory of the MySpace Top 8, as Gabe Saporta & Co strut through dancefloor anthems.<\/p>\n<\/div>\n

DAYSEEKER<\/strong>
\nWITH SPECIAL GUESTS BANKS ARCADE
\n+ MONTGOMERY (MELB) * HEADWRECK (BRIS)<\/strong><\/p>\n

WEDNESDAY 3 DECEMBER – CORNER HOTEL, MELBOURNE
\nTUESDAY 9 DECEMBER – CROWBAR, BRISBANE<\/strong><\/span><\/p>\n

\n

Formed in Southern California and forged in adversity,\u00a0DAYSEEKER\u00a0<\/strong>evolved from post-hardcore upstarts into one of the most emotionally resonant and stylistically agile bands in heavy music today. Their songs don’t just process grief, heartbreak, and trauma \u2014 they transform them into something magnetic, powerful, and ultimately empowering. Since 2012, this spirit has defined the band, which prioritizes emotional truth over trends, connecting through authentic passion, sonic innovation, and lyrical vulnerability. 2019’s\u00a0Sleeptalk<\/em>\u00a0marked a creative turning point \u2014 a dreamy, immersive reintroduction that saw the band doubling down on melody, atmosphere, and introspection. That shift continued with 2022’s\u00a0Dark Sun<\/em>, a devastatingly personal album shaped by the death of Rodriguez’s father.\u00a0The profound resonance of the band’s music with fellow outsiders worldwide is evident in their 600 million+ streams. And it’s palpable at every show, from sold-out headlining runs in theaters to tours with Pierce The Veil, Bad Omens, and Ice Nine Kills. Their\u00a0sixth album\u00a0Creature In\u00a0the Black Night\u00a0<\/em>is due on October 24 featuring singles\u00a0Pale Moonlight, Creatures In The Black Night, Shapeshifter\u00a0<\/em>and\u00a0Bloodlust.<\/em><\/p>\n

DAYSEEKER<\/strong>\u00a0return to Australia after their completely sold out Australian debut headline tour in 2024. They will be supported by\u00a0Melbourne heavy metal boy band\u00a0BANKS ARCADE\u00a0<\/strong>for both shows,\u00a0dreamscape, alternative synth-pop artist\u00a0MONTGOMERY<\/strong>\u00a0in Melbourne and nu-metal quartet\u00a0HEADWRECK<\/strong>\u00a0in Brisbane.<\/p>\n<\/div>\n<\/div>\n

<\/div>\n
FEVER 333<\/strong>
\nWITH SPECIAL GUESTS MUDRAT<\/strong>THURSDAY 4 DECEMBER – STAY GOLD, MELBOURNE<\/strong><\/span><\/p>\n
\n

FEVER 333<\/strong>\u00a0is a force of nature in the contemporary rock scene. They are known for their explosive energy, politically charged lyrics, and genre-defying sound that blends punk rock,hardcore, and hip-hop. The band was formed in 2017 and gained attention with their debut EP,\u00a0Made An America<\/em>. The band has quickly risen to prominence with their powerful performances and uncompromising message.At the helm of\u00a0FEVER 333<\/strong>\u00a0is vocalist Jason Aalon, the dynamic frontman whose raw intensity and impassioned delivery captivate every audience that bears witness. Their 2018 debut EP\u00a0Made An America,<\/em>\u00a0set the tone for their mission, addressing themes of inequality and resistance with unflinching honesty and the title track earned a Grammy nomination, and that same year, they won the Heavy Music Award for\u00a0“Best International Breakthrough Band.”<\/em><\/p>\n

Their debut album\u00a0STRENGTH IN NUMB333RS<\/em>\u00a0was released in 2019 followed by\u00a0DARKER WHITE\u00a0<\/em>in 2024.\u00a0FEVER 333<\/strong>\u00a0is more than a band; they are a movement, a rallying cry for those who refuse to be silenced. With their unyielding passion and fearless artistry, they continue to inspire and provoke, leaving an indelible mark on the landscape of modern music.<\/p>\n

The show is supported by special guests\u00a0MUDRAT<\/strong>, a\u00a0multi-talented creative visionary, rapper, singer and writer.<\/p>\n<\/div>\n<\/div>\n

<\/div>\n
\n

GOLDFINGER<\/strong><\/p>\n

WEDNESDAY 3 DECEMBER – CROXTON BANDROOM, MELBOURNE<\/strong><\/span><\/p>\n

\n

Los Angeles punk rock lords\u00a0GOLDFINGER<\/strong>\u00a0helped contribute to a U.S. ska-punk movement in the mid-to late ’90s. Originally formed in 1994, the band’s fate turned when their song,\u00a0Here In Your Bedroom<\/em>, was added to radio\u00a0and everything changed with touring the world, opening up for their heroes and then by the mid 2000s, becoming legends in their own right.Releasing\u00a08 full length albums, sold millions of records worldwide, and been instrumental in helping to launch the careers of many of rocks top acts.\u00a0GOLDFINGER\u00a0<\/strong>continue to release music, play shows around the globe and are set\u00a0to bring their energetic live show with their popular\u00a0hits such as\u00a0Superman, 99 Red Balloons<\/em>\u00a0and many more from their extensive catalogue.<\/p>\n<\/div>\n<\/div>\n

GWAR<\/strong><\/p>\n

SUNDAY 30 NOVEMBER – CROWBAR, BRISBANE<\/strong><\/span>
\nTUESDAY 2 DECEMBER – FACTORY THEATRE, SYDNEY
\nTHURSDAY 4 DECEMBER – MAX WATTS, MELBOURNE<\/strong><\/p>\n

<\/div>\n
The story of GWAR <\/strong>is carved across the history of this hopeless planet, but GWAR<\/strong> themselves are not of this world…Their story begins far past Uranus, in the deepest reaches of space, where the beings known as GWAR <\/strong>were warriors in the Scumdogs of the Universe, an elite fighting force in the army of the Master of All Reality. But GWAR<\/strong> proved too reckless and powerful, and after a series of tragic but hilarious blunders, they were banished to the furthest reaches of the galaxy, with orders to conquer an insignificant backwater prehistoric mudball known as the planet Earth. Once here, GWAR<\/strong>, the original Ancient Aliens, shaped the face of the globe, wiping out the dinosaurs, and mating with apes to create the human race. Having accidentally given rise to all human history, the Master of All Reality froze them in Antarctic ice where they could do no more harm. It was there they were discovered by a shady entrepreneur known as Sleazy P Martini, who sat the band down in front of professional wrestling, late-night horror movies, heavy metal music, and a steady diet of crack cocaine until GWAR <\/strong>became the cultural force they are today.<\/div>\n
<\/div>\n
<\/div>\n
KNOCKED LOOSE<\/strong>
\nWITH SPECIAL GUESTS HIGH VIS<\/strong>TUESDAY 9 DECEMBER – LIBERTY HALL, SYDNEY
\nWEDNESDAY 10 DECEMBER – NORTHCOTE THEATRE, MELBOURNE<\/strong><\/span><\/p>\n
<\/div>\n
\n

With a coveted late-night talk show performance and Grammy nomination under their collective belt, punters will finally get to see Kentucky juggernaut\u00a0KNOCKED LOOSE<\/strong>\u00a0in devastating final form.<\/p>\n

There’s no ceiling for hardcore in 2024 \u2014 even an outfit as uncompromising as\u00a0Knocked Loose<\/strong>\u00a0can turn up in mainstream-adjacent spaces and win over new fans such as 2023’s viral Coachella\u00a0and Bonnaroo sets. But there’s a center to what they do that will never change: uncompromising heaviness, both sonically and thematically. What is evolving is their drive to find new ways to convey that heaviness, and add tasteful variety that only highlights their undiminished ferocity.<\/p>\n

On latest album,\u00a0You Won’t Go Before You’re Supposed To<\/em>,\u00a0KNOCKED LOOSE<\/strong>\u00a0have honed in on a diverse, cohesive and savagely aggressive album that sums up the massive strides they’ve taken during their decade as a band, and asserts their boundless potential going forward.<\/p>\n

As one of heavy music’s most uncompromisingly aggressive acts, this is destined to be an unmissable set with special guests English progressive hardcore\u00a0HIGH VIS.<\/strong><\/p>\n

Since 2018,\u00a0HIGH VIS.<\/strong>\u00a0has polished their\u00a0sound with shades of post-punk, Brit pop, neo-psychedelia, and even Madchester groove, mapping a middle ground between hooks and fury, melodies and mosh pits. In 2019, they released their debut album\u00a0No Sense No Feeling\u00a0<\/em>and\u00a0celebrated with 2022’s follow up,\u00a0Blending<\/em>. From swaggering street punk to jangling indie sneer to heavy alt to shoegazey spoken word, the group’s chemistry transmutes any style to their unique intensity.<\/p>\n

LORNA SHORE<\/strong>
\nW\/ DISENTOMB + GRAVEMIND<\/strong><\/p>\n

WEDNESDAY 3 DECEMBER – 170 RUSSELL, MELBOURNE<\/strong><\/span><\/p>\n

\n

After selling out their first-ever Australian headline tour in just 10 days earlier this year, New Jersey quintet\u00a0LORNA SHORE<\/strong>\u00a0return to raise hell once more in support of their fifth album\u2014the declarative\u00a0I Feel The Everblack Festering Within Me.<\/em>While 2022’s Pain Remains LP set the bar for deathcore extremity through the inhuman utterings of frontman Will Ramos,\u00a0I Feel The Everblack Festering Within Me<\/em>\u00a0showcase the group folding in anthemic stadium-worthy hooks among their pitch black brand of sonic chaos.<\/p>\n<\/div>\n

\n

The quintet have hit the viral Spotify charts, racked up hundreds of millions of streams, embarked on highly successful tours and in the process, galvanized a significant fanbase that hangs onto the band’s quest for stylistic inversion. But by virtue of physical onslaught and wanting to divine truth from their music,\u00a0LORNA SHORE<\/strong>\u00a0have kept themselves fired up by torching the metal rulebook at every turn, practically demanding that other genres step up their game.<\/p>\n

They will be supported by Brisbane’s death metal band\u00a0DISENTOMB<\/strong>\u00a0and Melbourne’s heavy metallers\u00a0GRAVEMIND.<\/strong><\/p>\n<\/div>\n

\n

MACHINE HEAD\u00a0<\/strong><\/p>\n

SATURDAY 29 NOVEMBER – METRO CITY, PERTH
\nMONDAY 1 DECEMBER – THE STATION, SUNSHINE COAST
\nWEDNESDAY 3 DECEMBER – UC REFECTORY, CANBERRA<\/strong><\/span><\/p>\n

\n

Undisputed masters of murderous riffs, pugnacious grooves and ferocious hooks since 1991,\u00a0MACHINE HEAD<\/strong>\u00a0are long established as one of the most influential and incendiary bands in\u00a0the metal world. Exploding into the world’s consciousness with 1994’s seminal\u00a0Burn My\u00a0Eyes<\/em>\u00a0album, the now legendary Oakland crew brutishly redefined what it meant to be\u00a0heavy, incorporating a wild array of influences into some of the sharpest and most brutal\u00a0metal anthems ever written.<\/p>\n

A perennially vital force in heavy music,\u00a0MACHINE HEAD<\/strong>\u00a0have continued their exhilarating\u00a0evolution, while never losing the furious spirit of their old school, underground roots.\u00a0Impervious to trends and proud to stand alone:\u00a0MACHINE HEAD<\/strong>\u00a0is still the bulldozer that\u00a0crushes all!<\/p>\n

MACHINE HEAD<\/strong>‘s career-spanning set is sure to include pit-starters from landmark records like 1994’s\u00a0Burn My Eyes,<\/em>\u00a02007’s\u00a0The Blackening<\/em>, and much more.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

NEW FOUND GLORY<\/strong><\/p>\n

WEDNESDAY 3 DECEMBER – THE GOV, ADELAIDE<\/strong>
\nTHURSDAY 4 DECEMBER – PIER BANDROOM, FRANKSTON
\nTUESDAY 9 DECEMBER – THE STATION, SUNSHINE COAST<\/strong><\/p>\n

<\/div>\n
\n

Floridian pop-punkers\u00a0NEW FOUND GLORY<\/strong>\u00a0don’t know how to stop. Fast approaching three decades as a unit, their influential style of hardcore-adjacent pop-punk can be found in the sonic DNA of countless groups across the world. Their highly anticipated sixth album\u00a0Listen Up!,<\/em>\u00a0is set to be released in February 2026 and the band’s first full-length in nearly 6 years.<\/p>\n

NEW FOUND GLORY<\/strong>\u00a0were fast-tracked from local upstarts to mainstream stars on the back of ebullient pop melodies and hardcore-tinged breakdowns, setting off a blast of pop-punk dynamite that still lights the torch for modern acts more than two decades later. They became the voice of an underground movement, spurring iconic gold and platinum records (2000’s\u00a0New Found Glory<\/em>, 2002’s\u00a0Sticks & Stones<\/em>, and 2004’s\u00a0Catalyst<\/em>), countless MTV appearances, an entire subgenre (easycore) and sold-out tours the world over.<\/p>\n

With 11 studio albums, one live album, one Christmas album, one acoustic album, two EPs, and four cover albums in the tank.\u00a0NEW FOUND GLORY<\/strong>\u00a0has always been about the same thing – honesty, community, and positivity.\u00a0NEW FOUND GLORY’<\/strong>s ethos has never wavered; they always strive to be the friend you always need and always understands you.<\/p>\n

REFUSED<\/strong>
\nFINAL AUSTRALIAN HEADLINE SHOW<\/strong>
\nWITH SPECIAL GUESTS DELIVERY + BABY MULLET<\/strong><\/p>\n

THURSDAY 4 DECEMBER – NORTHCOTE THEATRE, MELBOURNE<\/strong><\/span><\/p>\n

\n

Swedish hardcore punk icons\u00a0REFUSED<\/strong>\u00a0revolutionized the genre and inspired legions of hardcore, alt-rock and metal bands to push the boundaries of their artistic expression and political awareness.<\/p>\n

Formed in the early ’90s in Ume\u00e5, a subarctic town in northern Sweden\u00a0REFUSED<\/strong>\u00a0began when David Sandstr\u00f6m\u00a0and Dennis Lyxz\u00e9n\u00a0came together in 1991.REFUSED<\/strong>\u00a0emerged with explosive energy and intent and\u00a0soon became not just a band but the nucleus of a youth movement\u2014one that was radical, political, and loud enough to attract the attention of Swedish authorities.<\/p>\n

Their 1998 album\u00a0The Shape of Punk to Come<\/em>\u00a0was a genre-defying masterpiece that coincided with the band’s sudden implosion during a U.S. tour. The split was sealed with the infamous “Refused Are Fucking Dead” manifesto\u2014part truth, part provocation, part decoy.<\/p>\n

After reuniting in 2012 after an\u00a0offer to reunite for Coachella Festival\u00a0spurred the band back into action,\u00a0releasing\u00a0further albums\u00a0Freedom<\/em>\u00a0(2015) and\u00a0War Music<\/em>\u00a0(2019).\u00a0They will be returning to Australia to celebrate\u00a0their influential run by bidding farewell with the band’s final performances with special guests Melbourne’s garage-punk band\u00a0DELIVERY<\/strong>\u00a0and three-piece female fronted rock group\u00a0BABY MULLET<\/strong>.<\/p>\n

SCENE QUEEN<\/strong><\/p>\n

SUNDAY 30 NOVEMBER – LYNOTT’S LOUNGE, PERTH
\nTUESDAY 2 DECEMBER – LION ARTS FACTORY, ADELAIDE
\nWEDNESDAY 3 DECEMBER – SOOKI LOUNGE, BELGRAVE<\/strong><\/span><\/p>\n

\n

Metal\/Pop Ohio-born Hannah Collins, known artistically as\u00a0SCENE QUEEN,<\/strong>\u00a0is a artist who’s taking the music scene by storm with a message of inclusivity for all. Her music seamlessly blends heavy breakdowns and moshing with pink aesthetics and rhinestones. She’s not here to be quiet or apologize, with lyrics that directly challenge misogynists and genre purists.<\/p>\n

SCENE QUEEN<\/strong>\u00a0exploded onto the scene in 2022, going viral multiple times with hits like\u00a0Pink Rover, Pink Panther<\/em>,\u00a0and\u00a0Barbie & Ken<\/em>,\u00a0widely recognized for her signature “Bimbocore” sound. She’s as fierce as she is vibrant, packing angst into every punchy lyric.<\/p>\n

In 2024,\u00a0SCENE QUEEN<\/strong>\u00a0opened for BABYMETAL on a sold-out US tour and toured Australia for her first headline tour.\u00a0She’s continuing her momentum into 2025 with her own headline tour across the US and UK, and\u00a0performed at the sold-out Warped Tour Festival.<\/p>\n

SOUTH ARCADE<\/strong><\/p>\n

WEDNESDAY 3 DECEMBER – STAY GOLD, MELBOURNE<\/strong><\/span>
\nMONDAY 8 DECEMBER – THE BRIGHTSIDE, BRISBANE<\/strong><\/p>\n

\n

The unstoppable rising UK alt rockers\u00a0SOUTH ARCADE<\/strong>\u00a0are taking the world by storm. They have amassed more than 11 million likes on TikTok and a rapidly growing YouTube channel.\u00a0Their 2024 EP, 2005, now has over 35 million streams on Spotify alone.\u00a0The Oxford-based band first got fans hooked with the brash opening riff on\u00a0DANGER<\/em>, a metal-inspired single that led to them to millions of views.\u00a0Since then, they’ve combined inspiration from pop, electronica and rock across the decade to create a sound that’s distinctive to them.<\/p>\n

2025 has been a huge year for\u00a0SOUTH ARCADE\u00a0<\/strong>performing\u00a0two sold-out headline shows in Manchester and London in March, they played support tours including with singer-songwriter Bilmuri across Europe and Australia, as well as 25 dates across the US with Magnolia Park. They recently\u00a0played the main stage at Reading & Leeds followed by\u00a0their first US headline tour including sold-out shows in New York City and LA. Don’t miss the band’s first Australian headline shows.<\/p>\n<\/div>\n

<\/div>\n
THE ALL-AMERICAN REJECTS<\/strong>
\nWITH SPECIAL GUESTS LE SHIV<\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n

TUESDAY 9 DECEMBER – NORTHCOTE THEATRE, MELBOURNE<\/strong><\/span><\/p>\n

<\/div>\n
\n

Formed in Stillwater, Oklahoma,\u00a0THE ALL-AMERICAN REJECTS<\/strong>\u00a0quickly became one of the most iconic pop-rock bands of the early 2000s and they return to Australia for the first time in 16 years! Over the years, they’ve become known for their ability to craft anthemic, emotionally charged songs that resonate with fans across generations.<\/p>\n

Their debut self-titled album in 2002 introduced the world to their sound. The standout hit\u00a0Swing, Swing<\/em>\u00a0catapulted them into the mainstream, then\u00a02005 follow-up album,\u00a0Move Along<\/em>, cemented their place in modern rock history. With hits like\u00a0Dirty Little Secret, Move Along<\/em>,\u00a0and\u00a0It Ends Tonight,<\/em>\u00a0the album was a global success. The lead single,\u00a0Gives You Hell<\/em>, from their 2008 album,\u00a0When the World Comes Down<\/em>\u00a0became one of their biggest hits.<\/p>\n

THE ALL-AMERICAN REJECTS<\/strong>\u00a0have maintained their place in pop-rock history and\u00a0\u00a0remain a staple in the echelon of alternative and pop-rock.\u00a0THE ALL-AMERICAN REJECTS<\/strong>\u00a0continue to be a force in music, proving that their relevance and connection with fans are only getting stronger with time and are a\u00a0soundtrack for an entire generation of fans navigating the ups and downs of adolescence and young adulthood with\u00a0their catchy, heartfelt songs.<\/p>\n

They’ll be joined with special guests\u00a05-piece indie\/alt\/rock\/psych-pop band\u00a0LE SHIV.<\/strong><\/p>\n<\/div>\n

<\/div>\n
\n

WARGASM<\/strong><\/p>\n

TUESDAY 2 DECEMBER – THE BRIGHTSIDE, BRISBANE
\nWEDNESDAY 3 DECEMBER – THE UNDERGROUND, SYDNEY<\/strong><\/span><\/p>\n

What happens when you take a musically adroit wild London rocker and an Irish sonic insurgent with a platinum pixie cut (who moonlights as a high fashion model), toss in some synthesizers, crank up the distortion to infinity, and burn the rule book? Well,\u00a0WARGASM<\/strong>\u00a0happens. A collision of throat-slashing thrash guitars, apocalyptic dancefloor electronics, unnervingly catchy harmonies, and unapologetic sex appeal, the UK duo\u2014Sam Matlock and Milkie Way. They’ve earned widespread acclaim from Kerrang!, Revolver, Upset, and more. They’ve tallied millions of streams without a proper album and quietly become one of the most thrilling acts on the planet.<\/div>\n
\n

Single\u00a0Spit<\/em>\u00a0ripped a hole through streaming services with over 3.7 million Spotify streams. Buzz increased as they dropped\u00a0Rage All Over, Salma Hayek<\/em>, and\u00a0Scratchcard Feeling.<\/em>\u00a0NME named them among “100 Acts to Watch in 2021.” Beyond gigs with Yungblud and Creeper, they left audiences stunned at Reading and Leeds Festival, Download Pilot Festival, and Bloodstock.<\/p>\n<\/div>\n<\/div>\n

\u00a0GOOD THINGS FESTIVAL 2025\u00a0LINE UP:<\/strong><\/p>\n

TOOL<\/span>
\nWeezer
\nGarbage | All Time Low | Machine Head | The All-American Rejects
\nKnocked Loose | Lorna Shore | Refused | New Found Glory | Make Them Suffer
\nDayseeker | James Reyne | Kublai Khan TX | Cobra Starship | Goldfinger | Tonight Alive<\/p>\n

In Alphabetical Order:<\/span><\/strong>
\nBad Nerves | Civic | Dead Poet Society | Fever 333 | Gwar | High Vis | Inertia
\nMaple’s Pet Dinosaur\u00a0| Palaye Royale | Scene Queen | South Arcade
\nWargasm | Windwaker | Yours Truly
\nPlus the chaos of Stage 666!<\/p>\n

DATES AND VENUES:<\/strong>
\nFriday 5 December – Flemington Racecourse, Melbourne (16+)
\nSaturday 6 December \u2013 Sydney Showground, Sydney (16+)
\nSunday 7 December – Brisbane Showgrounds, Brisbane (16+)<\/p>\n

Tickets available from\u00a0http:\/\/goodthings.oztix.com.au\/<\/a><\/p>\n

GOOD THINGS FESTIVAL<\/a>\u00a0|\u00a0FACEBOOK<\/a>\u00a0|\u00a0TWITTER<\/a>\u00a0|\u00a0INSTAGRAM<\/a>\u00a0|\u00a0TIKTOK<\/a><\/strong><\/p>\n

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<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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