{"id":38141,"date":"2019-08-01T08:00:26","date_gmt":"2019-07-31T22:00:26","guid":{"rendered":"http:\/\/maytherockbewithyou.com\/mtrbwy\/?p=38141"},"modified":"2019-08-03T08:40:47","modified_gmt":"2019-08-02T22:40:47","slug":"peter-hook","status":"publish","type":"post","link":"https:\/\/maytherockbewithyou.com\/mtrbwy\/2019\/08\/peter-hook\/","title":{"rendered":"Peter Hook"},"content":{"rendered":"

\"\"<\/a>\u201c<\/strong>So I think that people to be honest with you are going to be very surprised, but it isn\u2019t a million miles away from the group, it\u2019s a thousand miles but it\u2019s not a million.\u201d<\/p>\n

From Release: “Peter Hook & The Metropolitan Orchestra present Joy Division Orchestrated” celebrates one of the most influential bands ever and put that group’s most famous works in an immersive show that recognises their role in shaping popular culture and the influence they continue to hold. The show is curated by Peter Hook acting as Executive Producer with Musical Director Tim Crooks taking care of the orchestration. The concerts are the first time that an original member of the group has taken part in such a project to remember its decisive back catalogue. “Orchestrated” pairs up musically the elements of post punk that characterised Joy Division’s ground-breaking sound with the orchestra, paying homage to the spirit which defines their heritage.<\/p>\n

While at home watching The Walking Dead we gave Peter Hook a call to talk about his return to Australia for the Joy Division Orchestrated tour, how it came about, the past, the future, and more\u2026<\/p>\n

You\u2019ve toured Australia many times, this time with \u2018Orchestrated\u2019, what was the idea of bringing this show to Australia?<\/strong>
\nWell I got asked primarily, the promoter that we\u2019d worked with over the years heard the fact that we were doing the Royal Albert Hall in July and he came on and wanted to be the first one to really bring it to Australia. Now Australia to New Order because Joy Division never made it has always been fantastic, we\u2019ve always had a wonderful time there, we\u2019ve had a wonderful reception and we were actually really big in Australia *laughs* and it was wonderful, we had a wonderful Australian record label as well, Factory Australia. So we\u2019ve always been looked after, I can remember the guy, Andrew Penhaligon wonderful bloke and really looked after us every single time we\u2019ve been there we\u2019ve had a fantastic time. Every time I\u2019m bored in the plane I\u2019m always why am I going back to Manchester? *laughs* but when I get here it\u2019s my home and I love its bad side and its good side and I must admit I\u2019m very much a product of Salford and Manchester so yeah, we\u2019ve always had such a wonderful time from really early you know I think the first tour of Australia was with the guys that used to do Big Day Out, it was their promoters first international band, we were the first international band that they\u2019d ever done and they went on to be huge as an agency I\u2019d like to think with our help *laughs*. So we\u2019ve always had a fantastic reception when we\u2019ve got there and we\u2019ve always absolutely loved it, so it\u2019s an easy thing to do. So to get asked to do it as we were when I started playing with The Light, we played our seventh gig in Melbourne and got a fantastic reception and a wonderful tour which made me realise that I\u2019ve made the right decision to start playing Joy Division\u2019s music. So yeah it\u2019s just an absolute compliment to be asked.<\/p>\n

In putting the show together what was the process like looking back at these songs and arranging and orchestrating them?<\/strong>
\nWell the interesting thing is that I\u2019ve worked with the conductor for three years, this is our fourth year together, so I\u2019m well used to what Tim Crooks actually does, isn\u2019t that interesting I\u2019m bringing another crook to Australia *laughs* I\u2019ll have to watch that gag. I\u2019ve listened and watched what he\u2019s done and he does a wonderful job of a lot of these one hit wonders, these dance tracks he does a wonderful job with them and he lifts them to a different dimension, he really does and I\u2019m a fan of these tracks and I\u2019ve grown up with them my whole life, you know every christening, every wedding you always hear these tracks \u2018You\u2019ve Got The Love\u2019 etc, etc they become an important part of your life and he does the treatment on them and he kept saying to me I\u2019d love to get my hands on Joy Division. I was like in your dreams man, no chance, I couldn\u2019t see the correlation at all but I must admit over the four years and he kept saying to me over the time that we should do a Joy Division one. Now the others have done it, New Order have played Joy Division orchestrally in Australia and so it has been done before but obviously this is my interpretation. So I let him have his head we sat down, the group played, he did some treatments on top of it and they were wonderful. I must admit over the years I\u2019ve been listening to cover versions of Joy Division and New Order some of them are good, some of them are bad and some of them are great. The thing is the ones that I\u2019ve heard that I think are great I\u2019ve taken the qualities and the ingredients of what those people have done and simplicity actually is the word and I\u2019ve been able to put that into Tim\u2019s interpretations. So I think that people to be honest with you are going to be very surprised, but it isn\u2019t a million miles away from the group, it\u2019s a thousand miles but it\u2019s not a million.<\/p>\n

The thing is that I didn\u2019t want this to be some jazz experimental odyssey art type of thing or some mad gothic the way that if you listen to a lot of the orchestrals on the internet they\u2019re very gothic, very dark, they seem to go down the very dark side of New Order. I\u2019ve tried to make it more evocative, quite melancholy but also uplifting, you know Ian\u2019s is a tragic story, Joy Division\u2019s is a tragic story, they finished literally just as they were starting, so there\u2019s the frustration and the awful predicament of wondering what they could\u2019ve gone to, what could Joy Division have achieved if Ian would have lived? So there\u2019s a real tragic aspect to it, and I mean suicide is a terrible thing for the people left behind even when they aren\u2019t successful and culturally significant as Ian, I\u2019ve lost many people that have not made a dent in the world the way that Ian did but my god you still miss them and you\u2019re still frustrated and angry and you still have to suffer the pain at the way that they decided to leave you. So there\u2019s always that cloud shall we say over our music, but I think that the success that we still have musically now is amazing, the effect that Joy Division has on young people when they hear it, it becomes and important part of their lives. so the wonderful thing is there\u2019s still a celebration to Joy Division which is what I\u2019m hoping to bring to everything, the interpretation that Tim has done to the songs I think is wonderful, and it\u2019s well worth a chance, it\u2019s well worth a punt as we say in England for anyone who liked Joy Division.<\/p>\n

Were there any songs that you thought would lend themselves to an orchestra but didn\u2019t in fact work out?<\/strong>
\nIt was usually the opposite, it was the ones that you didn\u2019t think would lend themselves have and its quite interesting because when all said and done it\u2019s just a cover version and this is my interpretation and my cover version if you like of Joy Division, but the thing is there\u2019s just different aspects, but the grandeur or it, the grandeur of the sound that I\u2019ve watched with the Hacienda classical it\u2019s what I\u2019ve come to love and I must admit that Tim has delivered 100% and you will find no happier person on the night than me and that\u2019s all that matters.<\/p>\n

Now you\u2019ve been in the business for a while, and it can be easy to say what\u2019s changed in that time but what for you is the one thing that\u2019s stayed the same in your time making and performing music?<\/strong>
\nThe one thing that\u2019s stayed the same for me is the excitement and the satisfaction of playing your own music to people who love it as much as you do and when I come off stage I could kiss every one of them because they\u2019ve given me a fantastic life I must admit. I realised that recently actually, when we reformed to play Joy Division I had no relationship with the other members of Joy Division and very sadly I can still say that today. The thing is to get my own music back after thirty years of not having it was the wildest feeling and I don\u2019t take it for granted, every time I go and play I\u2019ve been fighting with the others so much and every time I got and play I realise how lucky I am to have that freedom and how lucky I am to be rewarded by people coming through the door who are just like me, mad Joy Division fans and together I think we do create something absolutely wonderful which after forty three years I always have that feeling that someone\u2019s going to make me go back to work *laughs* I\u2019m thinking oh god I hope it never happens. I think I\u2019m probably a bit safer now at 63 but I keep thinking someone\u2019s going to march in and go \u201cright, you, back to work\u201d and I\u2019m like oh shit because I\u2019m having such a great time, I mean we\u2019ve toured Australia ten times now, had a wonderful time and a wonderful reception and Australia was really important to New Order, New Order played there in 1981 and we played there significantly, the appreciation and the audience numbers have improved every time culminated with that wonderful show we did on The Big Day Out, we\u2019ve always had a fantastic time in Australia and I certainly don\u2019t think this one will be any different because I have got the fans best intentions of making them happy and this one has taken a lot of work, I must say it started with four people in the band and we\u2019d just play the tunes and now to look around and have the responsibility of a fifty piece orchestra playing together it\u2019s like oh my god the responsibility of it is very daunting I must say.<\/p>\n

Lastly let\u2019s look ahead to the future, finish this sentence for me, by the end of 2019 Peter Hook wants to\u2026<\/strong>
\n*laughs* have a rest *laughs*. That would be nice to have a rest but it\u2019s one of those odd things I\u2019m like a kid with a new toy and having those thirty years off eventually made me all the more pressured if you like to make sure I enjoy this tour as much as I can and to sit here as I am doing now planning to celebrate forty years on Ian Curtis\u2019s life I\u2019m not gonna get that rest but I am very satisfied with what I\u2019m doing I must admit.<\/p>\n

 <\/p>\n

Peter Hook – Joy Division Orchestrated<\/strong><\/p>\n

Featuring The Metropolitan Orchestra<\/strong><\/p>\n

Friday 2nd August 2019\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sydney Opera House, Sydney<\/p>\n

Saturday 3rd August 2019\u00a0\u00a0\u00a0 AEC Theatre, Adelaide<\/p>\n

Tuesday 6th August 2019\u00a0\u00a0\u00a0\u00a0\u00a0 BCEC, Brisbane<\/p>\n

Friday 9th August 2019\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Perth Concert Hall, Perth<\/p>\n

Sunday 11th August 2019\u00a0\u00a0\u00a0\u00a0\u00a0 Plenary Theatre, Melbourne<\/p>\n

 <\/p>\n

Essential Information<\/strong><\/span><\/h2>\n

From:<\/strong> England<\/p>\n

Tour Website:<\/strong> \u00a0https:\/\/www.facebook.com\/orchestrated<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

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