{"id":20805,"date":"2014-03-18T22:54:09","date_gmt":"2014-03-18T11:54:09","guid":{"rendered":"http:\/\/maytherockbewithyou.com\/mtrbwy\/?p=20805"},"modified":"2014-03-18T22:58:52","modified_gmt":"2014-03-18T11:58:52","slug":"dead-in-a-second","status":"publish","type":"post","link":"https:\/\/maytherockbewithyou.com\/mtrbwy\/2014\/03\/dead-in-a-second\/","title":{"rendered":"Dead In A Second"},"content":{"rendered":"

\"\"
\n<\/a>\u201cI was straight onto this one and I went through a period of time around that Christmas break where I just thought a lot of how things work and how life works and I thought things are over just really quickly, from relationships to all sorts of things, and to me Dead In A Second was that, it can be over in a second, that\u2019s what it means, so while you\u2019re alive\u2026 live.\u201d<\/p>\n

From tour release: Dead In A Second recently signed to Sydney based label Possum Records. The band\u2019s long awaited mini-album\u00a0The Double Treblio\u00a0<\/em>will be released Friday March 14 through Universal Music. The Double Treblio\u00a0<\/em>comes almost two years after the band debuted at #3 on the iTunes Rock Chart with their independently released\u00a0Maretimo\u00a0<\/em>EP in June 2012. The Double Treblio\u00a0<\/em>sessions were put on hold in April last year to allow the band to concentrate on their tribute to Chrissy Amphlett recording\u00a0Girls In Town.<\/em> <\/em>Girls In Town\u00a0<\/em>was released in September 2013 and received widespread national media coverage and airplay. All proceeds from the sales of the track were donated to MS and Breast Cancer research.<\/p>\n

We chatted to Triz of Dead In A Second about the band\u2019s new mini album \u2018The Double Treblio\u2019 as well as touring and their cover of The Divinyls classic \u2018Boys In Town\u2019\u2026<\/p>\n

Let\u2019s start with the basics; for those that haven\u2019t heard of you, can you please give us the abridged version of the<\/strong> Dead In A Second story, and the decision on the name of the band?
\n<\/strong>Basically, a couple of years back now, after my last band actually, I was straight onto this one and I went through a period of time around that Christmas break where I just thought a lot of how things work and how life works and I thought things are over just really quickly, from relationships to all sorts of things, and to me Dead In A Second was that, it can be over in a second, that\u2019s what it means, so while you\u2019re alive\u2026 live.<\/p>\n

You\u2019ve just released your new mini album \u2018The Double Treblio\u2019 if you had to use only three words to describe it, what would they be?
\n<\/strong>I\u2019d say eclectic, spiritual *pauses* and somewhat original\u2026<\/p>\n

Tell us about the title of the album, how it came about and what it means to you\u2026
\n<\/strong>It\u2019s very spiritual, it all started when and this might sound a bit odd, I started seeing a lot of double and triple numbers, and I\u2019m talking a lot, and I looked into it a bit further on websites and through guru ladies of numerology and all that sort of thing, there was no name for the double and the triple and she actually suggested that someone should come up with a name, so I did, and it happens to come with six songs, so that\u2019s how it is, it just means the double and the triple. But this whole recording process was tough, I recorded this in my living room *laughs* and it was day in and day out and the numbers were something that kept me going and once I realised what they meant and not going too deep but they say seeing a lot of double and triple numbers is basically spirits telling you you\u2019re right in synch of where you should be, so I kinda listened to them and said \u2018alright, I\u2019ll go with that\u2019 *laughs* as you second guess yourself a lot with art, but the numbers made some good decisions and kept me going.<\/p>\n

In terms of your song writing, what do you consider to be the most important ingredients that make up one of your songs, is it the spiritual side?
\n<\/strong>No I think that just comes with being who you are as person, I don\u2019t think that comes with who you are as a musician, but, at the same time I believe your personality comes out in your playing so I don\u2019t think it is. Be the best person you can be, as a musicians, as a player, as a writer, whatever it is you do, be as good as you can be at that. From a song writing point of view I just know how I do it, I don\u2019t know how other people do it, but for me I want to feel a connection, if it\u2019s not right from a connection point of view, it\u2019s usually put in the bin pretty quick, and there has to be a bigger feeling than just your own feeling if you know what I mean? *laughs*<\/p>\n

Both lyrically and musically, what or who inspires\/influences your music the most?
\n<\/strong>I think just life in general, I don\u2019t think there\u2019s a person I can name or an artist I can name that inspires me so much that I have to write music and play music, I think it\u2019s just more of a general thing, I think just the people around me from family and friends and people I work with in the industry and what\u2019s happening socially around the world and how we connect to things and how we prioritize and how we fuck up what\u2019s around us as well. So there\u2019s many avenues from a song writing point of view, inspiration though is always going to be family.<\/p>\n

It\u2019s been almost two years since your last EP release, what did you do differently this time around compared to when you made Maretimo?
\n<\/strong>*laughs* Well the first EP \u2018Maretimo\u2019 was my first kind of go at it for me in making a record on my own basically, and yeah, there was lots of learning curves so this time it just took a lot more time to get it to sound the way I wanted it to sound, it was like reading a manual as you\u2019re going *laughs* for building a house and it was like that\u2019s what I do with the pipes and that\u2019s what I do with the tiling and I\u2019d find myself recording for hours at night time and actually studying what I was aiming to do the next week or two, so what I did different and I hope other people can say the same is that I hope I got better at what I did. I just got a bit more thorough with it, it\u2019s a really different way of recording, usually a band comes in and records and then someone else turns it into something, this was really different, this wasn\u2019t the case, this was me living and breathing it for a year and a half, as a player, as an engineer, as a producer, and also a massive critic at the same time, so I was wearing all those T-shirts and it was pretty exhausting by the end.<\/p>\n

Probably a bit warm too\u2026
\n<\/strong>*laughs* Yeah exactly\u2026<\/p>\n

As the button pusher, how hard was it to get everything sounding exactly as you needed it to?
\n<\/strong>It was really difficult, because it was trial and error. I\u2019ve worked in lots of big studios and they just have a way of doing things and it\u2019s usually the right way that\u2019s why they do it, but this was a big thing to take on, this was trial and error, but it\u2019s done now and the most important thing is getting the songs across as how you visualise them. I\u2019ve recorded overseas and I\u2019ve had some songs that I thought were going to do great things and they haven\u2019t turned out that strong and the love just didn\u2019t go into them.\u00a0 A lot of studios, and I won\u2019t mention any names, but there\u2019s a lot of people out there that just want to make money and that\u2019s it, whereas this was never about money, it was just getting the songs the way they\u2019re meant to sound and that\u2019s what I did, it just took time. I remember mixing the record and just listening to it and saying it\u2019s not right and starting all over again, so it really was trial and error and at the same time instincts, using your instincts and that\u2019s it. *laughs*<\/p>\n

Live, you\u2019re currently out playing some shows in support of the new release, how would you describe a typical live show of yours?<\/strong>
\nI don\u2019t know, I haven\u2019t played one in a while, I\u2019ve been recording *laughs* no, we played one last week and it was fantastic, there\u2019s a lot of energy there really is, so that\u2019s how I\u2019d describe it, fun and energetic.<\/p>\n

After this run finishing up in April, can we expect some dates later in the year?<\/strong>
\nDefinitely, I\u2019m not in a hurry to record for at least twelve months, so if we\u2019re not playing I\u2019m going to be holidaying or barbequing or something, I definitely don\u2019t want to be recording *laughs*, it hasn\u2019t just been the last release, it\u2019s been the whole process from the first EP to now which is actually closer to three years, so it\u2019s a lot of work so I\u2019m kind of fried. To answer your question, we\u2019re going to be going out and playing as many shows as we can for the next twelve months from tours to just shows, so we\u2019ll see. We do have a plan, but also we\u2019re just going to keep an eye on the scene and what\u2019s going on out there.<\/p>\n

I have to ask about your awesome cover of The Divinyls track, well you renamed it \u2018Girls In Town\u2019, why was that something you wanted to do or felt like you should do?
\n<\/strong>I just kind of felt for me personally I just wanted to give something back rather than just take and I felt giving a song to charity to make money from and all proceeds going to those charities was giving. I\u2019ve heard it before but I thought it was smarter than just buying a pen\u2026 buying a pen for $2 at a shopping centre isn\u2019t acceptable, it\u2019s your part and I just felt there was more I can do, and Chrissy was a massive, massive influence growing up and her and Mark from a song writing point of view they wrote really great songs. When she passed it was really sad and I thought this was a long shot, I\u2019d always wanted to do this song, and it wasn\u2019t like she passed and I had the idea, I\u2019d always wanted to do it as a cover and I thought it\u2019d be a really cool rock and roll shift to change the lyric. Then it came down to you either do it or you don\u2019t, and you can\u2019t just send them an email as the answer will be no, so I kind of just had to back myself up and it took a while and after speaking to Michael our management, he was like \u2018Go for it Triz\u2019 and that\u2019s basically all I needed and started recording it. Then got in touch with them, The Divinyls themselves and Sony who own the rights to it and got the approval to change the lyric and change the title of the song which is a big thing as apparently that hasn\u2019t been done before, as it\u2019s not a common thing to cover a song and change the name of it, so there was a little bit of paper work and got the all clear and away we go. So it was just good to give back.<\/p>\n

In terms of a message, is there a message you want to get across to people with Dead In A Second?<\/strong>
\nOf course there is, man, but it\u2019s not really something I can pinpoint, there\u2019s not one particular message, there\u2019s a message in each song, even the band title is a message, it can be over really quickly, live, be cool, be a nice person, so on the individual songs, they might have different messages but it\u2019s not directed to one person, or group of people, maybe the song writing itself is just an experience and that in itself is a message to us song writers to remind us, this is what we do and what we don\u2019t do. So not really, to me, music and writing and creating is all about being free and seeing what comes out and trying to do good with it.<\/p>\n

For a bit of fun, say you get the chance to open for any artist or band in the world, who would they be and why?<\/strong>
\nOoh\u2026 oh wow\u2026 I think it\u2019d have to be AC\/DC, I mean to go on before AC\/DC would be ridiculous. Actually I take that back, I\u2019d like to have us, Divinyls and then AC\/DC, to me that would make my night pretty good. *laughs*<\/p>\n

If you could cover one song in your live set that no one would ever expect, what would it be and why?<\/strong>
\nOoh geez, I don\u2019t know\u2026 the National Lampoon\u2019s \u2018Holiday Road\u2019 *laughs* I\u2019ve actually never heard the song as a song, I\u2019ve only heard it in the movies but I just love the whole vibe of it. If that\u2019s the name of the song, I\u2019m not sure what it\u2019s actually called\u2026<\/p>\n

Lastly, with 2014 well on its way now, let\u2019s predict the future, so finish this for me, in 2014 Dead In A Second will:<\/strong>
\nMake enough money to employ a fulltime lighting guy\u2026 *laughs* we will cover a lot of kilometres on the Australian road, that\u2019s one thing that will happen and I can back up, so that\u2019s what we\u2019ll do, we\u2019ll cover a lot of k\u2019s on the Australian freeway\u2026
\n
\nCheck out our review of \u2018The Double Treblio\u2019 HERE<\/a><\/p>\n

 <\/p>\n

Essential Information<\/strong><\/h2>\n

From:<\/strong> Sydney, Australia<\/p>\n

For fans of:<\/strong>\u00a0Rock\/Hop\/Rip your face off<\/p>\n

Band members:<\/strong> Trizo – Rick Hammond – Simon Koster – Jonathan Lawrence<\/p>\n

Current release:<\/strong> The Double Treblio (Possum \/ Universal Music Australia)<\/p>\n

Website:<\/strong> <\/strong>Official facebook page<\/a><\/p>\n

Catch SWARM FEST \u2013 FEATURING DEAD IN A SECOND & JERICCO \u2013 TOUR DATES & TICKETING INFO<\/strong><\/p>\n

Fri March 28<\/strong> – The Esplanade Hotel \u2013 Gershwin Room, Melbourne
\n www.oztix.com.au<\/a> or venue PH: (03) 9534 0211 (03) 9534 0211<\/p>\n

Sat March 29<\/strong> – Enigma Bar \u2013 Adelaide
\n www.moshtix.com.au<\/a>\u00a0 www.oztix.com.au<\/a>\u00a0 www.venuetix.com.au<\/a> or venue PH: (08) 8212 2313 (08) 8212 2313<\/p>\n

Fri April 11<\/strong> – Bald Face Stag \u2013 Sydney
\n www.gobookem.com<\/a> or venue PH: (02) 9560 7188 (02) 9560 7188<\/p>\n

Sat April 12<\/strong> – Great Northern \u2013 Newcastle
\n www.bigtix.com.au<\/a> or venue PH: (02) 4925 3551 (02) 4925 3551<\/p>\n

*Tickets on sale NOW<\/p>\n

*Tickets for Adelaide, Sydney & Newcastle \u2013 $12 + bk fee pre sale & $15 on night<\/p>\n

*Tickets for Melbourne \u2013 $15 + bk fee pre sale & $18 on night<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cI was straight onto this one and I went through a period of time around that Christmas break where I just thought a lot of how things work and how life works and I thought things are over just really quickly, from relationships to all sorts of things, and to me Dead In A Second was that, it can be […]<\/p>\n","protected":false},"author":2,"featured_media":20806,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[11,10],"tags":[4367,4683,4368,4711],"class_list":["post-20805","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-australian","category-best-things-youve-never-heard","tag-dead-in-a-second","tag-michael-mathews-media","tag-the-divinyls","tag-the-double-treblio"],"yoast_head":"\nDead In A Second - 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